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Make It To Munich follows Ethan Walker, who decides to cycle from Scotland to Germany for Scotland’s opening match against Germany in Euro 2024 – just nine months after a horrific accident.
Documentary following Ethan Walker, a promising teenage footballer from Aberdeenshire who suffered life-threatening injuries in a road traffic accident just months into a football scholarship at a US university.
Aided in his recovery by pioneering Scottish surgeon (and former footballer) Professor Gordon Mackay, Ethan undertakes a charity cycle ride from Glasgow to Munich for Scotland’s opening match against Germany in Euro 2024, just nine months after his accident. Entrusted by the Scottish national team to carry the match pennant on his back for the whole journey and deliver it in time for kick-off, Ethan is accompanied by Gordon, Tartan Army foot-soldier Stephen Collie and film-maker Martyn Robertson.
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Elizabeth is a rising star among editors, building an outstanding
reputation for her consistently high standard of work. Equally at home
across scripted and unscripted projects, she brings a flexible, story-led
approach and an instinctive understanding of her clients’ creative vision.
Her easy-going demeanour creates a relaxed and collaborative
environment in the edit, underpinned by a determined work ethic and a
clear commitment to delivering the very best for her clients. Elizabeth
inspires a high degree of trust; clients feel confident placing their projects
in her hands and return time and again as a result, a testament to both the
quality of her work and the relationships she builds.
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Alice brings a rare combination of technical expertise and creative instinct to every project. Having worked across MCR, DI, and mastering earlier in her career, she has an unusually detailed understanding of the post-production pipeline — knowledge she puts to work delivering high-quality VFX, motion graphics, and bespoke design for clients across film and television.
Her work spans paint-outs, screen replacements, beauty shots, titles, maps, lower thirds, and animated elements, alongside bespoke film poster design (her poster design for This Werewolf Complex was selected for exhibition at Aesthetica Film Festival). She has a particular interest in blending digital and analogue techniques to create something distinctive and memorable.
Alice has worked with some exciting names in the industry, with credits including Richard Gadd’s Half Man, James McAvoy’s California Schemin’, John McPhail’s Grow, BBC’s Vigil, and Amazon’s Batman: Caped Crusader.