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In 1930s Paris, rebellious painter Leonora Carrington joins surrealists Breton and Dalí. Her romance with Max Ernst forces her to face her inner struggles.
The film features an international ensemble cast led by Olivia Vinall (The Woman in White, Queens of Mystery) as Leonora Carrington, alongside Ryan Gage (The Hobbit trilogy, Outlander), Luis Gerardo Méndez (Murder Mystery, Charlie’s Angels), Cassandra Ciangherotti (The Hours with You), Peter Seaton-Clark (The Crown), Philippe Tłokiński(Kurier), Vivienne Soan (The Crown), and Mercedes Bahleda (The White Princess).
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A collaborative and creative colourist working at the forefront of UK feature grading. Tom honed his craft alongside leading colour giants at Molinare, Twickenham Film Studios and Dirty Looks, before becoming a trusted and in demand partner to some of the most exciting directors and DOPs around, recognised for delivering distinctive, beautiful, and varied grades, in a relaxed and rewarding environment.
Now Senior Colourist at Blazing Griffin, Tom’s recent work includes Paul Wright’s latest feature film, Mission for BBC Film, starring George MacKay and Rosy McEwen; Chris Andrews’ award-winning Bring Them Down, starring Barry Keoghan and Christopher Abbott for MUBI. As well as Barnaby Roper’s psychological thriller, All The Devils Are Here for MRC Film and Paramount, starring Eddie Marsan, Sam Claflin and Suki Waterhouse; and Claudio Fäh’s survival thriller adventure, Turbulence, for Altitude and Head Gear Films.
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Jack’s immense technical knowledge and restless enthusiasm for creativity have led him to work with a range of demanding and experienced commercial and drama directors such as Sam Miller (Luther, I May Destroy You, Black Mirror), David Blair (Takin’ Over the Asylum, The Street, The Lakes) Martin Smith (Best Interests, Grantchester, Granite Harbour), Charlie Thorne, Rich Oliver and Stuart Elliott.
Jack is the co-founder of Brick + Mortar and is currently cutting his first two feature films, Daniel Cook’s BFI and Screen Scotland backed Love Letters and Martin Clark’s Public House in between commercial work. He also recently worked as Post Production Supervisor on Screen Ireland backed Spilt Milk for 925 Productions, Leonora in the Morning Light for Skye Films and The Draw for View35 Films, all three films completed their post at Brick + Mortar.