A collaborative and creative colourist working at the forefront of UK feature grading. Tom honed his craft alongside leading colour giants at Molinare, Twickenham Film Studios and Dirty Looks, before becoming a trusted and in demand partner to some of the most exciting directors and DOPs around, recognised for delivering distinctive, beautiful, and varied grades, in a relaxed and rewarding environment.

Now Senior Colourist at Blazing Griffin, Tom’s recent work includes Paul Wright’s latest feature film, Mission for BBC Film, starring George MacKay and Rosy McEwen; Chris Andrews’ award-winning Bring Them Down, starring Barry Keoghan and Christopher Abbott for MUBI. As well as Barnaby Roper’s psychological thriller, All The Devils Are Here for MRC Film and Paramount, starring Eddie Marsan, Sam Claflin and Suki Waterhouse; and Claudio Fäh’s survival thriller adventure, Turbulence, for Altitude and Head Gear Films.

Elizabeth is a rising star among editors, building an outstanding
reputation for her consistently high standard of work. Equally at home
across scripted and unscripted projects, she brings a flexible, story-led
approach and an instinctive understanding of her clients’ creative vision.
Her easy-going demeanour creates a relaxed and collaborative
environment in the edit, underpinned by a determined work ethic and a
clear commitment to delivering the very best for her clients. Elizabeth
inspires a high degree of trust; clients feel confident placing their projects
in her hands and return time and again as a result, a testament to both the
quality of her work and the relationships she builds.

After a successful music career, including time with Sons and
Daughters and nearly a decade touring as a guitarist with The Kills,
Scott Paterson transitioned into audio post-production. Bringing a
strong musical sensibility, maturity, and focus to his work, he has
progressed rapidly to the role of Dubbing Mixer.
Scott applies a keen understanding of rhythm, balance, and
emotional intent to every mix. Diligent, dependable, and
collaborative, he is widely regarded as a pleasure to work with and
a trusted member of the post-production team.

Alice brings a rare combination of technical expertise and creative instinct to every project. Having worked across MCR, DI, and mastering earlier in her career, she has an unusually detailed understanding of the post-production pipeline — knowledge she puts to work delivering high-quality VFX, motion graphics, and bespoke design for clients across film and television.

Her work spans paint-outs, screen replacements, beauty shots, titles, maps, lower thirds, and animated elements, alongside bespoke film poster design (her poster design for This Werewolf Complex was selected for exhibition at Aesthetica Film Festival). She has a particular interest in blending digital and analogue techniques to create something distinctive and memorable.

Alice has worked with some exciting names in the industry, with credits including Richard Gadd’s Half Man, James McAvoy’s California Schemin’, John McPhail’s Grow, BBC’s Vigil, and Amazon’s Batman: Caped Crusader.