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It’s Not What You Think is a campaign film created for Terrence Higgins Trust, the UK’s leading HIV and sexual health charity.
It’s Not What You Think is a campaign film for Terrence Higgins Trust, using humour and unexpected twists to challenge assumptions around sex and sexual health. Playing on everyday misconceptions, the campaign encourages audiences to look beyond first impressions while opening up conversations around sexual health in an engaging and accessible way.
Created for Terrence Higgins Trust, the UK’s leading HIV and sexual health charity, the film brings a playful approach to an important subject.
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A collaborative and creative colourist working at the forefront of UK feature grading. Tom honed his craft alongside leading colour giants at Molinare, Twickenham Film Studios and Dirty Looks, before becoming a trusted and in demand partner to some of the most exciting directors and DOPs around, recognised for delivering distinctive, beautiful, and varied grades, in a relaxed and rewarding environment.
Now Senior Colourist at Blazing Griffin, Tom’s recent work includes Paul Wright’s latest feature film, Mission for BBC Film, starring George MacKay and Rosy McEwen; Chris Andrews’ award-winning Bring Them Down, starring Barry Keoghan and Christopher Abbott for MUBI. As well as Barnaby Roper’s psychological thriller, All The Devils Are Here for MRC Film and Paramount, starring Eddie Marsan, Sam Claflin and Suki Waterhouse; and Claudio Fäh’s survival thriller adventure, Turbulence, for Altitude and Head Gear Films.
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Jack’s immense technical knowledge and restless enthusiasm for creativity have led him to work with a range of demanding and experienced commercial and drama directors such as Sam Miller (Luther, I May Destroy You, Black Mirror), David Blair (Takin’ Over the Asylum, The Street, The Lakes) Martin Smith (Best Interests, Grantchester, Granite Harbour), Charlie Thorne, Rich Oliver and Stuart Elliott.
Jack is the co-founder of Brick + Mortar and is currently cutting his first two feature films, Daniel Cook’s BFI and Screen Scotland backed Love Letters and Martin Clark’s Public House in between commercial work. He also recently worked as Post Production Supervisor on Screen Ireland backed Spilt Milk for 925 Productions, Leonora in the Morning Light for Skye Films and The Draw for View35 Films, all three films completed their post at Brick + Mortar.